Monday, 26 December 2011

It maybe Midnight in Paris but The Sitter gets A Separation from his girlfriend in a night known as Fright Night.

Midnight in Paris stars Owen Wilson who plays a Woody Allen style character named Gil Pender who, with his fiancée (Rachael McAdams), travels to Paris for pleasure but Pender is distracted by the fact he can’t seem to finish his novel. Pender is hoping that Paris will give him inspiration in adding the final touches to his novel and it does in a rather peculiar way via some magical vehicle transportation carriage which every midnight takes Gil off to a place of high intellectual vibe.

Monday, 19 December 2011

Sherlock Holmes: A Game of Shadows.

Many people looked on the 2009 Sherlock Holmes blockbuster with scepticism as Guy Ritchie never seemed like the kind of director who would bring Sherlock Holmes back to the big screen and imagine the surprise when we discovered it was actually quite good.  Both positive reception from audiences and critics made it inexcusable for a second film not to be made.

Thursday, 15 December 2011

Cowboys and Aliens.

With a sharp gasp for air an unnamed man (Daniel Craig) wakes up and finds himself injured and lying in the middle of the desert.  He has no memory of how this happened, who he is or what this weird bracelet thing is on his arm but before he or we can even begin to think of the million possibilities three drafters on horses arrive on the scene believing him to be worth a bounty reward. They are quickly beaten by the man with no name who then steals one of the horses and with company of man’s best friend sets off to the nearest village.

Wednesday, 14 December 2011

Reviews of 30 Minutes or Less, Ides of March, Crazy, Stupid, Love, The Hangover II and TT3D: Closer to the Edge.

Based on a true story 30 Minutes or Less is about a guy called Nick (Jesse Eisenberg) who is a slob working at a pizza delivery restaurant which aims to deliver the pizza in 30 minutes or less (the smart ones of you may have worked out this is also the title). Nick drives out to some sort of scrap yard where two guys (played by Danny MacBride and Nick Swardson) knock him unconscious, tie a bomb to him and order him to rob a bank of $100,000 dollars. This money is needed to kill Dwayne’s (MacBride) authoritarian father (played by Fred Ward) so Dwayne could receive his dad’s inheritance money. The performances themselves are not bad (with the exception of MacBride who fails to raise one single laugh) but they are let down by a quite simply woeful script (written by Michael Diliberti) that lacks wit and ingenuity relying totally on swearing, nob jokes and gay jokes to generate the laughs. Unsurprisingly none of these are used in an effective way as the swearing begins to become not only needless but repetitive and never used in a clever manner but just for the hell of it. That said there are one or two good jokes, the best one relates to Jesse Eisenberg’s most recent and greatest project which is actually quite smart but it goes no further than that. Also the bank robberies are quite amusing but despite the very short running time of barely 80 minutes there is plenty of time to feel a tad bored. None of the characters are particularly likeable so it’s rather hard to care about whether the bomb explodes or not. It’s not unwatchable but it’s not one worth watching.  

Sunday, 11 December 2011

Rise of the Planet of the Apes review.

The original Planet of the Apes is one of the most successful B movies ever made and still has a massive cult following, it is a classic of the 60s. The original, starring Charlton Heston, was followed by four sequels, a remake (directed by Tim Burton) which is regarded with distaste by film fans and critics alike, and now a prequel/reboot. The prequel/reboot is being regarded as one the finest films of the series since the 1968 original.

Sunday, 4 December 2011

Hugo Review.

Martin Scorsese has dealt with social alienation in Taxi Driver, detestable boxers in Raging Bull and cold blooded killers in Goodfellas, so a family film is a whole new experience for Scorsese. Scorsese has left his mark on cinema, becoming one of the most influential, praised and celebrated directors of the industry. His early films dealt with the impact of male ego and violence, he now turns his attention to the family movie genre. I was interested to see what Scorsese would do in this genre; I never expected anything quite as special as this.

Captain America Review.

Hollywood seems to be producing a huge amount of movies based on comic books from the most well known of all, Batman, Spiderman (which is being pointlessly rebooted) and Superman to the lesser known such as The Green Lantern. You would be forgiven if one was to say that they are tired of superhero movies but yet some are good and some are downright awful. Captain America: The Last Avenger is the latest Marvel comic book production to hit cinemas.

Saturday, 3 December 2011

Sarah's Key, 50/50 and Moneyball.

Kristen Scott Thomas is a big name on both sides of the channel (though her French career is more notable) and Sarah's Key is another fine film that contains another fine performance from Thomas. Sarah's Key tells the story of two people named Julia Jarmond (Thomas) and Sarah Starzynski (admirably played by newcomer Melusine Mayance). Julia is a modern day journalist investigating the Vel' d'Hiv Roundup of 1942 when 12000 Jews were captured and imprisoned (by the French) in appalling conditions ready to be sent off to the Concentration Camps in Poland and Germany. Sarah is one of those Jewish people who were captured by the French; we follow Sarah as she meets empathic guards and kindly Frenchman in a desperate bid to free her brother from a locked cupboard in which Sarah locked him in to avoid his capture.

Tuesday, 29 November 2011

Reviews of Melancholia and Zookeeper.

 Sometimes the words that you say overshadow your accomplishments, take Mel Gibson for example, perfectly capable actor and director but his achievements in these fields are overshadowed by the occasional racist, stupid and sexist comment. Lars Von Trier has gotten more attention not for winning the major award at the Cannes Film Festival but for some rather controversial comments about how he understood Hitler and how Israel is a 'pain in the ass.' However, attention must be focused from his moment of utter stupidity to his talents as a filmmaker and Melancholia is a fine film.

Thursday, 24 November 2011

Bridesmaids, Scream 4 and Horrible Bosses

Kristen Wigg is quickly becoming one of the funniest women in Hollywood and is exceeding well in a typically male dominated genre. Bridesmaids is different from the likes of Sex in the City and the Jennifer Lopez driven comedies because it is actually funny. Like many of Judd Apatow's produced comedies, it is crude but Bridesmaids keeps the film's heart and character intact. Annie (Wigg) is a single thirty-year old whose bakery business has collapsed due to the recession. Her no strings attached relationship with Ted is demoralising and the news of her best friend's (Lillian played by Maya Rudolph) wedding just makes her single life more painful. As Annie and Lillian have been best friends since childhood Annie is appointed maid of honour but a rivalry is born when Annie meets Lillian's new rich friend Helen Harris (Rose Byrne) who steals Annie's thunder. By calling Bridesmaids a 'female The Hangover' doesn't give Bridesmaids the praise that it deserves in fact it's quite condescending, as Bridesmaids is as equally funny as The Hangover, in fact it could even be better. There is plenty of crude, quite unpleasant comedy (the incident in the bathroom and 'there's semen everywhere. One blanket actually cracked'). These scenes can be amusing but Bridesmaids is funnier when relying on the script to produce laughs (a Fight Club style bachelorette party is a hilarious suggestion). The superb performances, assured direction and finely written script work against the cruder elements and the occasional joke overstaying its welcome producing a very entertaining comedy that will appeal to men and women. 


Drive movie review.

Since his exceptional performance in Blue Valentine Ryan Gosling has quickly become one of the most in demand men in Hollywood. All three of his films in 2011 (The Ides of March, Crazy, Stupid, Love and Drive) have all met critical and financial success. Ryan Gosling is proving himself as a perfectly capable actor and his performance in Drive is only going to increase his popularity.

The Help movie review.

During the late fifties and sixties there was a  Second Civil Rights Movement that intended to eradicate discriminatory racial laws that were in place in America. This is a time when racial segregation was common and icons of the era such as Martin Luther King and Malcolm X became instrumental and influential figures during the era. Based on the novel by Kathryn Stockett of the same name, The Help sets itself during this time period as two housemaids tell their side of the story to a journalist who decides to write an article (about the black housemaids) never written before in an attempt to gain experience and recognition to be able to work for a prestigious newspaper.

Sunday, 20 November 2011

Raging Bull Film Review.

1973. Mean Streets. The first collaboration of Martin Scorsese and Robert De Niro who would soon become the greatest frequent collaborators in cinema history creating masterpieces of art such as Taxi Driver, Goodfellas and of course Raging Bull which is not only one of the greatest sports movie ever made, it is one of the greatest films to come out of the 1980s. It is Scorsese's finest film and it is also Robert De Niro's finest film in which he delivers his greatest performance of his career.  Raging Bull lost the Best Picture Oscar to what now?

Monday, 14 November 2011

Don't Be afraid of The Dark, Rio and Tower Heist.

Many classic horror films are getting a remake and now it is the turn of Don't Be Afraid of the Dark which achieved a cult status. Written by Guillermo Del Toro (who claimed he was infatuated with the 1974 classic and the idea of monsters under the bed, which begs the question, why remake it if you love it?) Don't Be Afraid of the Dark concerns Sally Hirst (Bailee Madison) moving to her father's (and his girlfriend) 19th century Rhode Island mansion. There, however, strange things happen as the house is not all it seems and Sally begins to hear strange voices which say that they will be friends but that will not be the case. The films starts off pretty gruesomely with an incident involving a chisel and a set of teeth this, sadly, remains the only generally shocking moment as, and I never thought I would say this, Del Toro's writing is a disappointment here. The film travels through many of the genres clichés never utilising them in an effective way but while there is a degree of tension raised the proceedings remain rather scare free. That said Don't Be Afraid of the Dark is a handsome film, the cinematography is elegant and graceful and the set pieces are terrific, there is certainly some Del Toro flair here but while the film does remain pleasant to look at its not quite as rewarding in other aspects. The performances from Guy Pearce (as the father) and Bailee Madison are fine but Don't Be Afraid of the Dark remains a disappointing haunted house story and nowhere near on par with the likes of The Devil's Backbone and The Orphanage in which Del Toro was director and producer respectively.

A lateish review of In time.

It would be very ironic if anyone were to arrive at a showing of this film late. Writer/director Andrew Niccol has created many smart and original ideas; his most famous work includes the writing of the 1999 film The Truman Show. The premise of In Time is another ingenious idea and the Science Fiction is a genre about ideas, so ideas are important but does the quality of the execution match the brilliance of the premise? To an extent, it does.

Sunday, 6 November 2011

Bad Teacher

Elizabeth Halsey (Cameron Diaz) is a bad teacher. She drinks, smokes marijuana and has a need for speed. Ms Halsey decides to quit teaching to live on the money of her rich fiancé but when he soon realizes that it's all about the money he dumps her leaving Ms Halsey with nothing else to do but return to teaching and return to her annoying colleagues, the unbelievably over enthusiastic, infuriatingly irritating Amy Squirrel (even the name is annoying) played by Lucy Punch and gym teacher Russell Gettis (Jason Segel) who makes constant advances on Ms Halsey and is constantly knocked back. Ms Halsey also wants to enlarge her breasts but does not have the money and decides to raise the money in a manner of ways. Ms Halsey also becomes attracted to the new supply teacher Scott Delacorte (Justin Timberlake).

Friday, 4 November 2011

X-Men:First Class Royal Mail Film Review.

The first X-Men film was followed by two sequels and a spin origin story based on Wolverine (who in the previous instalments is played by Hugh Jackman). Now five years after The Last Stand and two years after X-Men Origins: Wolverine is a prequel to the entire series looking at the events of how Magneto (Michael Fassbender) and Professor X (James McAvoy) became enemies. The film starts off in a German concentration camp in Poland and we witness the death of Eric's (who would soon become Magneto) mother at the hands of Sebastian Shaw (Kevin Bacon) from then on Eric swears to avenge his mother's death. The action zooms to the 1960s, right in the heart of the Cold War, a secret organization called The Hellfire Club is playing Russia and America against each in order to start World War Three which will in turn destroy the human race and allow mutants to rule the planet. Dr Charles Xavier/Professor X recruits a small band of fellow mutants to stop the world's destruction.